84 bars of 4/4 at 132 BPM, about 2:32 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 39-52 and 69-75 -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 23, 24, 38, 54 and 84.
84 bars across 10 sections: 69 keep time, 5 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 39-53.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
84 bars, about 2:32 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 23, 24, 38, 54 and 84.