264 bars of 4/4 at a walking 100 BPM, 11:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on how much of it falls off the beat.
toms through bars 1-10, hi-hat through bars 11-71, toms through bars 72-75, hi-hat through bars 76-84, ride through bars 85-91 and hi-hat through bars 92-141, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 76-83, 92-99 and 101-124, and 2 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
77
1...............2...............3...............4...............
HH |o----x----------o----x----------o----x----------o----x----------|
SD |-----x-----x---------x-----x---------x-----x---------x-----x----|
BD |x---------------x---------------x---------------x---------------|12 fills to learn, played 28 times: bars 1, 3, 4, 5, 6, 7 and 22 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 78 out of 100; the rest of the number is everything around it.
264 bars, about 11:56 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 1, 3, 4, 5, 6, 7 and 22 more.