264 bars of 4/4 at a walking 100 BPM, 11:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 76-83, 92-99 and 101-124, and 2 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 28 times: bars 1, 3, 4, 5, 6, 7 and 22 more.
8 more fills are written out on the fills page.
264 bars across 11 sections: 190 keep time, 28 are fills and 35 are silent. The longest unbroken stretch of time is bars 93-141.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 78 out of 100; the rest of the number is everything around it.
264 bars, about 11:56 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 1, 3, 4, 5, 6, 7 and 22 more.