147 bars of 4/4 at 146 BPM, about 4:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37, 39 and 41, and 29 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 7, 8, 36, 44, 52, 56 and 15 more.
5 more fills are written out on the fills page.
147 bars across 11 sections: 95 keep time, 21 are fills, 12 are stops and 11 are silent. The longest unbroken stretch of time is bars 10-30.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
147 bars, about 4:02 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 7, 8, 36, 44, 52, 56 and 15 more.