The drum beat in Pilé

The beat the song is built on is one bar, played through bars 13-14, 17-18 and 21-22, and 5 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.

It is played on hi-hat, snare and kick, counted in thirty-second notes. On its own it scores 68 out of 100 -- demanding -- and the thing that decides that is the independence between the hands and the feet.

The whole song is 63 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.

The room opens this beat on its simplest reduction, at 85 BPM, and adds the notes back a rung at a time -- 4 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.

1. Skeleton. Only the notes that land on a beat. The point is to feel where this bar stands.
2. Kick and snare, whole. The feet and the snare exactly as written, hi-hat pulled back to quarter notes. This is the part to know by heart.
3. As written. Open hi-hat, ghost notes, accents and the crash where they belong.

Tempo goes 85, 100, 115 and 130 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.