122 bars of 4/4 at 120 BPM, about 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 71-74, 108-114 and 116-121 -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 2, 3, 19, 20, 21, 22 and 13 more.
5 more fills are written out on the fills page.
122 bars across 18 sections: 64 keep time, 19 are fills, 12 are stops and 11 are silent. The longest unbroken stretch of time is bars 8-14.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
122 bars, about 4:03 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 2, 3, 19, 20, 21, 22 and 13 more.