48 bars of 3/4 -- not four -- at 110 BPM, 1:18 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6-9, 12 and 14-17, and 1 more place -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 5, 10, 13, 18, 21, 22 and 14 more.
5 more fills are written out on the fills page.
48 bars across 5 sections: 23 keep time and 20 are fills. The longest unbroken stretch of time is bars 1-4.
110 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
48 bars, about 1:18 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 5, 10, 13, 18, 21, 22 and 14 more.