134 bars of 4/4 at 132 BPM, about 4:04 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 3-22, hi-hat through bars 23-62, kick and crashes through bars 63-70 and hi-hat through bars 71-134.
The beat the song is built on is one bar, played through bars 23, 25 and 27-29, and 17 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1e+a2e+a3e+a4e+a
HH |--o---o---o---o-|
SD |----x-------x---|
BD |x---x---x---x---|
HF |x---x---x---x---|5 fills to learn, played 10 times: bars 22, 30, 54, 70, 78, 86 and 4 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
134 bars, about 4:04 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
5 fills to learn, played 10 times: bars 22, 30, 54, 70, 78, 86 and 4 more.