134 bars of 4/4 at 132 BPM, about 4:04 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23, 25 and 27-29, and 17 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 22, 30, 54, 70, 78, 86 and 4 more.
1 more fill is written out on the fills page.
134 bars across 9 sections: 102 keep time, 10 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-21.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
134 bars, about 4:04 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
5 fills to learn, played 10 times: bars 22, 30, 54, 70, 78, 86 and 4 more.