728 bars of 4/4 at 120 BPM, about 24:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 117, 276 and 278, and 19 more places -- 7.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
47 fills to learn, played 136 times: bars 34, 35, 36, 37, 38, 39 and 130 more.
44 more fills are written out on the fills page.
728 bars across 72 sections: 427 keep time, 136 are fills, 26 are stops and 59 are silent. The longest unbroken stretch of time is bars 555-572.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
728 bars, about 24:30 at the written tempo. The course breaks it into 246 exercises over 72 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
47 fills to learn, played 136 times: bars 34, 35, 36, 37, 38, 39 and 130 more.