70 bars of 4/4 at a walking 78 BPM, 3:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 7 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 24 times: bars 7, 9, 15, 21, 29, 40 and 18 more.
4 more fills are written out on the fills page.
70 bars across 13 sections: 32 keep time, 24 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 23-27.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
70 bars, about 3:24 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 7, 9, 15, 21, 29, 40 and 18 more.