176 bars of 4/4 at 120 BPM, about 7:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-40, 42-43 and 46-48, and 6 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 38 times: bars 8, 10, 11, 12, 16, 18 and 32 more.
10 more fills are written out on the fills page.
176 bars across 9 sections: 77 keep time, 38 are fills, 17 are stops and 40 are silent. The longest unbroken stretch of time is bars 45-53.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
176 bars, about 7:06 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 38 times: bars 8, 10, 11, 12, 16, 18 and 32 more.