176 bars of 4/4 at 120 BPM, about 7:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, hi-hat through bars 6-36, snare through bars 37-54, hi-hat through bars 55-77, snare through bars 78-127 and silence through bars 128-142, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 38-40, 42-43 and 46-48, and 6 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--x-----x-------|
BD |----x-x-----x-x-|14 fills to learn, played 38 times: bars 8, 10, 11, 12, 16, 18 and 32 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
176 bars, about 7:06 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 38 times: bars 8, 10, 11, 12, 16, 18 and 32 more.