202 bars of 4/4 at 140 BPM, about 6:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-21, snare through bars 22-28, hi-hat through bars 29-59, snare through bars 60-70, hi-hat through bars 71-88 and silence through bars 89-91, and 14 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 29-31, 33-35 and 37-39, and 2 more places -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 30
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-o-|x-o-x-x-x-x-x---|
SD |----x--g-g--x---|----x--g--x-x-xx|
BD |x-xx----x-xx----|x-x-----xx------|13 fills to learn, played 38 times: bars 22, 23, 24, 25, 50, 54 and 32 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
202 bars, about 6:19 at the written tempo. The course breaks it into 64 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 38 times: bars 22, 23, 24, 25, 50, 54 and 32 more.