94 bars of 4/4 at 150 BPM, about 2:30 of playing, on crash, hi-hat, snare, mid tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-8, snare through bars 9-16, hi-hat through bars 17-23, snare through bars 24-32, hi-hat through bars 33-36 and snare through bars 37-48, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 11, 13 and 15, and 4 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33 34
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |--------x-------|--------x-----x-|
BD |x-x-x-x-x-x-x-x-|--x-x-x---x-x---|9 fills to learn, played 20 times: bars 10, 12, 14, 32, 38, 39 and 14 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
94 bars, about 2:30 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
9 fills to learn, played 20 times: bars 10, 12, 14, 32, 38, 39 and 14 more.