94 bars of 4/4 at 150 BPM, about 2:30 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11, 13 and 15, and 4 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 20 times: bars 10, 12, 14, 32, 38, 39 and 14 more.
5 more fills are written out on the fills page.
94 bars across 10 sections: 59 keep time, 20 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-9.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
94 bars, about 2:30 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
9 fills to learn, played 20 times: bars 10, 12, 14, 32, 38, 39 and 14 more.