114 bars of 4/4 at 140 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 45-51, and 6 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 21 times: bars 40, 44, 52, 56, 60, 62 and 15 more.
7 more fills are written out on the fills page.
114 bars across 25 sections: 74 keep time, 21 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 45-51.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
114 bars, about 3:13 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 40, 44, 52, 56, 60, 62 and 15 more.