The beat the song is built on is a 2-bar phrase, played through bars 42-52, 54-65 and 94-104, and 3 more places -- 46.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 43 out of 100 -- a fair first song -- and the thing that decides that is how many notes a second it asks for.
The whole song is 60 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 129 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 129, 151 and 172 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare and kick, in 4/4 at 172 BPM, counted in sixteenth notes. It is written out above, and it covers 46.8% of the bars the kit plays.
Bars 42-52, 54-65, 94-104 and 106-117, and 2 more places. The time is kept on the toms to start with, and it changes 1 time over the song.
43 out of 100 on its own -- a fair first song. The song as a whole is 60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.