160 bars, 11:49, at 54 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 27-28, 31-32 and 37, and 12 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 28, 32, 38, 59, 67, 73 and 11 more.
4 more fills are written out on the fills page.
160 bars across 16 sections: 114 keep time, 17 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 39-56.
54 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
160 bars, about 11:49 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 28, 32, 38, 59, 67, 73 and 11 more.