164 bars of 4/4 at 125 BPM, about 6:22 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-46, 56-60 and 70-74, and 2 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 19 times: bars 6, 10, 16, 20, 22, 27 and 13 more.
3 more fills are written out on the fills page.
164 bars across 18 sections: 76 keep time, 19 are fills, 13 are stops and 43 are silent. The longest unbroken stretch of time is bars 49-54.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
164 bars, about 6:22 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 6, 10, 16, 20, 22, 27 and 13 more.