120 bars of 4/4 at a walking 77 BPM, 6:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28 and 46, and 3 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 36, 119 and 120.
120 bars across 13 sections: 84 keep time, 3 are fills, 2 are stops and 23 are silent. The longest unbroken stretch of time is bars 19-35.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
120 bars, about 6:12 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 36, 119 and 120.