114 bars of 4/4 at 144 BPM, about 3:08 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-9, 12-15 and 18-19, and 6 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 36 and 108.
114 bars across 9 sections: 95 keep time, 2 are fills, 1 is a stop and 10 are silent. The longest unbroken stretch of time is bars 6-29.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
114 bars, about 3:08 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 36 and 108.