144 bars of 4/4 at 131 BPM, about 4:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 25-31 and 41-47, and 4 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 16 times: bars 8, 32, 36, 56, 60, 64 and 10 more.
4 more fills are written out on the fills page.
144 bars across 16 sections: 101 keep time, 16 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 41-55.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
144 bars, about 4:24 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 8, 32, 36, 56, 60, 64 and 10 more.