117 bars of 4/4 at 112 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 22-24, and 2 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 34 times: bars 4, 8, 20, 32, 39, 40 and 28 more.
7 more fills are written out on the fills page.
117 bars across 12 sections: 67 keep time, 34 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 9-19.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
117 bars, about 4:09 at the written tempo. The course breaks it into 51 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 34 times: bars 4, 8, 20, 32, 39, 40 and 28 more.