195 bars of 4/4 at 130 BPM, about 6:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 45-59 and 129-143 -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 32 times: bars 8, 16, 32, 33, 34, 35 and 26 more.
9 more fills are written out on the fills page.
195 bars across 14 sections: 129 keep time, 32 are fills, 9 are stops and 11 are silent. The longest unbroken stretch of time is bars 96-111.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
195 bars, about 6:21 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 8, 16, 32, 33, 34, 35 and 26 more.