196 bars of 4/4 at 140 BPM, about 5:36 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 28-29, 31-32 and 34-35, and 21 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 26 times: bars 30, 33, 36, 39, 42, 45 and 20 more.
196 bars across 12 sections: 128 keep time, 26 are fills, 13 are stops and 20 are silent. The longest unbroken stretch of time is bars 70-84.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
196 bars, about 5:36 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 26 times: bars 30, 33, 36, 39, 42, 45 and 20 more.