251 bars of 4/4 at 120 BPM, about 8:21 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 60, 62 and 64, and 14 more places -- 7.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 11, 12, 13, 14, 15, 16 and 21 more.
10 more fills are written out on the fills page.
251 bars across 27 sections: 152 keep time, 27 are fills, 21 are stops and 25 are silent. The longest unbroken stretch of time is bars 174-190.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
251 bars, about 8:21 at the written tempo. The course breaks it into 82 exercises over 27 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 11, 12, 13, 14, 15, 16 and 21 more.