145 bars of 4/4 at 120 BPM, about 4:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41, 43 and 46, and 6 more places -- 7.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 53 times: bars 20, 21, 22, 23, 24, 25 and 47 more.
7 more fills are written out on the fills page.
145 bars across 10 sections: 68 keep time, 53 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 100-119.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
145 bars, about 4:48 at the written tempo. The course breaks it into 44 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 53 times: bars 20, 21, 22, 23, 24, 25 and 47 more.