The beat the song is built on is one bar, played through bars 22-28, 30-36 and 44-50, and 3 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on hi-hat, snare, high tom and kick, counted in sixteenth notes. On its own it scores 8 out of 100 -- straightforward -- and the thing that decides that is how often it moves around the kit.
The whole song is 28 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 120 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 120, 140 and 160 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat, snare, high tom and kick, in 4/4 at 160 BPM, counted in sixteenth notes. It is written out above, and it covers 26.4% of the bars the kit plays.
Bars 22-28, 30-36, 44-50 and 52-58, and 2 more places. The time is kept on the kick and crashes to start with, and it changes 7 times over the song.
8 out of 100 on its own -- straightforward. The song as a whole is 28 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.