86 bars of 4/4 at 116 BPM, about 2:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-28, 30-32 and 58-60, and 2 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 27 times: bars 6, 7, 8, 22, 23, 24 and 21 more.
6 more fills are written out on the fills page.
86 bars across 13 sections: 31 keep time, 28 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 14-17.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
86 bars, about 2:58 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 27 times: bars 6, 7, 8, 22, 23, 24 and 21 more.