93 bars of 4/4 at a walking 80 BPM, 4:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-33 -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 2, 18, 34, 42, 50, 76 and 5 more.
3 more fills are written out on the fills page.
93 bars across 10 sections: 58 keep time, 11 are fills, 12 are stops and 3 are silent. The longest unbroken stretch of time is bars 20-33.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
93 bars, about 4:39 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 2, 18, 34, 42, 50, 76 and 5 more.