784 bars of 4/4 at 135 BPM, about 22:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 39-40 and 61-64, and 45 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
53 fills to learn, played 125 times: bars 2, 3, 4, 5, 26, 27 and 119 more.
50 more fills are written out on the fills page.
784 bars across 72 sections: 450 keep time, 125 are fills, 98 are stops and 31 are silent. The longest unbroken stretch of time is bars 158-241.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
784 bars, about 22:44 at the written tempo. The course breaks it into 221 exercises over 55 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
53 fills to learn, played 125 times: bars 2, 3, 4, 5, 26, 27 and 119 more.