332 bars of 3/4 -- not four -- at 115 BPM, 10:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 111, 113 and 115, and 1 more place -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26 fills to learn, played 70 times: bars 33, 41, 45, 49, 57, 61 and 64 more.
22 more fills are written out on the fills page.
332 bars across 27 sections: 194 keep time, 71 are fills, 24 are stops and 13 are silent. The longest unbroken stretch of time is bars 117-194.
115 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
332 bars, about 10:12 at the written tempo. The course breaks it into 109 exercises over 33 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 70 times: bars 33, 41, 45, 49, 57, 61 and 64 more.