194 bars of 4/4 at 120 BPM, about 5:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 3 and 9, and 19 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 39 times: bars 17, 38, 39, 40, 41, 42 and 33 more.
15 more fills are written out on the fills page.
194 bars across 15 sections: 92 keep time, 39 are fills, 12 are stops and 30 are silent. The longest unbroken stretch of time is bars 18-35.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
194 bars, about 5:58 at the written tempo. The course breaks it into 62 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 39 times: bars 17, 38, 39, 40, 41, 42 and 33 more.