129 bars of 4/4 at 140 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 29 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 23, 57, 72, 73, 81, 90 and 7 more.
3 more fills are written out on the fills page.
129 bars across 15 sections: 84 keep time, 13 are fills, 8 are stops and 14 are silent. The longest unbroken stretch of time is bars 41-54.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
129 bars, about 3:41 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 23, 57, 72, 73, 81, 90 and 7 more.