129 bars of 4/4 at 140 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-6, silence through bars 7-15, hi-hat through bars 16-38, silence through bars 39-41, hi-hat through bars 42-71 and snare through bars 72-73, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 29 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
24
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-------x-x---x-|7 fills to learn, played 13 times: bars 23, 57, 72, 73, 81, 90 and 7 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
129 bars, about 3:41 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 23, 57, 72, 73, 81, 90 and 7 more.