132 bars of 6/4 -- not four -- at 120 BPM, 6:05 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 38-40, 42-44 and 59-61, and 1 more place -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 51 times: bars 2, 3, 4, 5, 6, 7 and 45 more.
5 more fills are written out on the fills page.
132 bars across 11 sections: 33 keep time, 51 are fills and 38 are silent.
120 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
132 bars, about 6:05 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 51 times: bars 2, 3, 4, 5, 6, 7 and 45 more.