132 bars of 4/4 at 114 BPM, about 4:38 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 13 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 38 times: bars 11, 12, 35, 36, 37, 38 and 32 more.
5 more fills are written out on the fills page.
132 bars across 11 sections: 71 keep time, 39 are fills and 8 are stops. The longest unbroken stretch of time is bars 98-109.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
132 bars, about 4:38 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 38 times: bars 11, 12, 35, 36, 37, 38 and 32 more.