141 bars of 4/4 at 145 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31, 35-37 and 39-41, and 8 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20 fills to learn, played 46 times: bars 18, 20, 22, 24, 32, 33 and 40 more.
16 more fills are written out on the fills page.
141 bars across 13 sections: 45 keep time, 46 are fills, 13 are stops and 27 are silent. The longest unbroken stretch of time is bars 26-31.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
141 bars, about 3:53 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 46 times: bars 18, 20, 22, 24, 32, 33 and 40 more.