100 bars of 4/4 at 142 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
ride through bar 1, hi-hat through bars 2-17, ride through bars 18-27, hi-hat through bars 28-50, ride through bars 51-75 and hi-hat through bars 76-83, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 2-9, 44 and 46-48, and 4 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 5
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|------------x---|
RD |----------------|x-x-x-x-x-x-----|
HH |--o-o-o-o-o-o-o-|----------------|
SD |---x-x-x-x-x-x-x|-x-x-x-x-x-x-xxx|
BD |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-xx|
HF |x---------------|----------------|9 fills to learn, played 37 times: bars 1, 12, 13, 21, 26, 27 and 31 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
100 bars, about 2:59 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 37 times: bars 1, 12, 13, 21, 26, 27 and 31 more.