100 bars of 4/4 at 142 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-9, 44 and 46-48, and 4 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 37 times: bars 1, 12, 13, 21, 26, 27 and 31 more.
7 more fills are written out on the fills page.
100 bars across 10 sections: 46 keep time, 37 are fills and 6 are silent. The longest unbroken stretch of time is bars 2-8.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
100 bars, about 2:59 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 37 times: bars 1, 12, 13, 21, 26, 27 and 31 more.