125 bars of 4/4 at 125 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-28, 37-44 and 69-76 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 36, 52, 68, 80, 92, 109 and 1 more.
3 more fills are written out on the fills page.
125 bars across 12 sections: 82 keep time, 7 are fills, 11 are stops and 12 are silent. The longest unbroken stretch of time is bars 54-67.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
125 bars, about 4:00 at the written tempo. The course breaks it into 38 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 36, 52, 68, 80, 92, 109 and 1 more.