97 bars of 4/4 at 128 BPM, about 2:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 61-68 and 81-83 -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 8, 16, 17, 18, 19, 24 and 8 more.
2 more fills are written out on the fills page.
97 bars across 11 sections: 48 keep time, 14 are fills, 21 are stops and 7 are silent. The longest unbroken stretch of time is bars 70-78.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
97 bars, about 2:58 at the written tempo. The course breaks it into 36 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 8, 16, 17, 18, 19, 24 and 8 more.