93 bars of 4/4 at 115 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 29-34, 37-42 and 61-66, and 1 more place -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 59, 60, 68 and 76.
93 bars across 9 sections: 75 keep time, 4 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 77-93.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
93 bars, about 3:14 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 59, 60, 68 and 76.