135 bars of 4/4 at 148 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-47, 75-79 and 119-125, and 1 more place -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 8, 21, 22, 28, 30, 40 and 9 more.
7 more fills are written out on the fills page.
135 bars across 14 sections: 73 keep time, 16 are fills, 25 are stops and 8 are silent. The longest unbroken stretch of time is bars 10-17.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
135 bars, about 3:39 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 8, 21, 22, 28, 30, 40 and 9 more.