98 bars of 4/4 at 118 BPM, about 3:19 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-29, 43-48 and 75-81, and 2 more places -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 11 times: bars 22, 30, 42, 49, 57, 58 and 5 more.
3 more fills are written out on the fills page.
98 bars across 11 sections: 62 keep time, 11 are fills and 17 are silent. The longest unbroken stretch of time is bars 13-21.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
98 bars, about 3:19 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 22, 30, 42, 49, 57, 58 and 5 more.