111 bars of 4/4 at 118 BPM, about 3:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-5, 14-16 and 30-33, and 18 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 1, 13, 17, 29, 37, 49 and 10 more.
3 more fills are written out on the fills page.
111 bars across 17 sections: 75 keep time, 16 are fills and 1 is a stop. The longest unbroken stretch of time is bars 71-86.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
111 bars, about 3:46 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 1, 13, 17, 29, 37, 49 and 10 more.