142 bars of 4/4 at 136 BPM, about 4:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 29 and 31, and 24 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 24 times: bars 24, 32, 40, 43, 48, 56 and 18 more.
10 more fills are written out on the fills page.
142 bars across 14 sections: 75 keep time, 24 are fills, 10 are stops and 16 are silent. The longest unbroken stretch of time is bars 18-23.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
142 bars, about 4:11 at the written tempo. The course breaks it into 55 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 24, 32, 40, 43, 48, 56 and 18 more.