127 bars of 5/4 -- not four -- at 110 BPM, 5:46 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 59, 61-65 and 67, and 3 more places -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 25, 26, 27, 28, 30, 32 and 10 more.
4 more fills are written out on the fills page.
127 bars across 9 sections: 65 keep time, 16 are fills, 1 is a stop and 36 are silent. The longest unbroken stretch of time is bars 58-81.
110 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
127 bars, about 5:46 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 25, 26, 27, 28, 30, 32 and 10 more.