128 bars of 4/4 at 131 BPM, about 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 15-16, 27 and 29-32 -- 6.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 20, 40, 55, 56, 63, 64 and 8 more.
5 more fills are written out on the fills page.
128 bars across 14 sections: 77 keep time, 14 are fills, 5 are stops and 16 are silent. The longest unbroken stretch of time is bars 90-102.
131 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
128 bars, about 4:24 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 20, 40, 55, 56, 63, 64 and 8 more.